It’s easier to be the art school band than to be …
– Timothy Morton

Timothy Bloxam Morton (born 19 June 1968) is a professor and Rita Shea Guffey Chair in English at Rice University. A member of the object-oriented philosophy movement, Morton's work explores the intersection of object-oriented thought and ecological studies. Morton's use of the term hyperobjects' was inspired by Björk's 1996 single Hyperballad, although the term Hyper-objects' (denoting n-dimensional non-local entities) has also been used in computer science since 1967. Morton uses the term to explain objects so massively distributed in time and space as to transcend localization, such as climate change and styrofoam. Their recent book Humankind: Solidarity with Non-Human People explores the separation between humans and non-humans and from an object-oriented ontological perspective, arguing that humans need to radically rethink the way in which they conceive of, and relate to, non-human animals and nature as a whole, going on to explore the political implications of such a change. Morton has also written extensively about the literature of Percy Bysshe Shelley and Mary Shelley, Romanticism, diet studies, and ecotheory. Morton is faculty in the Synthetic Landscapes postgraduate program at the Southern California Institute of Architecture (SCI-Arc).