I love to play with the notion of who the protagonist is – who is the audience supposed to root for? I did it in ‘Sicario’ and feel it was the strength of the script – guiding the audience’s allegiance toward the villain because they think he’s the hero, until it’s revealed that he’s the villain.
Unfortunately, a lot people still don’t understand …– Karamo Brown
Unfortunately, a lot people still don’t understand queer culture.