If you’re playing in a room that holds 15…– Walter Becker
If you’re playing in a room that holds 15,000 people, it’s just a question of how bad the room acoustics are and in what way
If you’re playing in a room that holds 15,000 people, it’s just a question of how bad the room acoustics are and in what way
It’s like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most – acoustics, playing instruments, digital processing, movement of sound. Somehow,
I want to be able to show my vocals off and when I do do live performances, I’m going to do some acoustics just with
I like hearing fiddles, steel guitar, acoustics up loud – really rock & roll stuff but with a country sound behind it. That’s just who
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
I love playing the Hard Rocks; they’ve got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love
I like those older theaters – the acoustics are perfect, I mean, you just have that feel of there’s been a thousand shows in there
Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these
I prefer to sing in the shower because the acoustics make you sound great, baby.
At first acoustics attributed to the different sounds only a limited number of characteristic features.
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