It’s a different way of getting across an emotion…– Dan Castellaneta
It’s a different way of getting across an emotion. You’re trying to get it across to the animator because the animator is inspired by the
It’s a different way of getting across an emotion. You’re trying to get it across to the animator because the animator is inspired by the
When sperm and egg unite, something goes from inanimate to animate. It is life.
I’m always interested in looking – historically – at how theater can animate history and how all of that can make us engage with our
Our notion of the perfect society embraces the family as its center and ornament, and this paradise is not secure until children appear to animate
Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences.
Forests, lakes, and rivers, clouds and winds, stars and flowers, stupendous glaciers and crystal snowflakes – every form of animate or inanimate existence, leaves its
I think it is really important to not only take advantage of these tools that you have at your disposal but also to really take
I’ve done a lot of dance sequences because I like them; I like to animate dancing because it’s fun and visual.
Most of the time one is discouraged by the work, but now and again by some grace something stands out and invites you to work
Felt is not the easiest thing to animate. It’s very flimsy.
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