Women’s art, political art – those categorisations perpetuate a certain kind of marginality which I’m resistant to. But I absolutely define myself as a feminist.
I believe that who we are, and consequently the work that we make, whether we’re visual artists or writers or journalists or filmmakers, is a
I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high
Power doesn’t just exist. It is threaded through different mechanisms of control. I’m interested in those complexities. But I want to address that in very
Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever.
I’ve never worked in advertising – my experience was as an editorial designer for magazines – but you could say, in the bigger picture, that
The reason why bookstores are going out of business in the States is that people just can’t focus on longer narratives now – even narrative
Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices
What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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