It is still true that it is easier to compose a …– Brian Ferneyhough
It is still true that it is easier to compose a poem in the form of a manual for adjusting a VCR than it is
It is still true that it is easier to compose a poem in the form of a manual for adjusting a VCR than it is
With respect to the respective French and German traditions you are no doubt correct, although I am reluctant to see individual achievement reduced to archetypes.
The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for
I suppose that the scope and implications of such forces have rendered my personal accounting ritual pretty much obsolete. That’s how things sometimes go.
Certainly being in California has encouraged a sustained commitment to rethinking the nature, purposes, and relevance of the contemporary arts, specifically music, for a society
I’m perplexed, though, by your application of the term ‘negative’ to my figural imagery.
The idea of ‘machine assemblage’ is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during
In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really ‘about.’
Why, in such a case, should the performer essay any sort of considered approach at all?
Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun
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