Mel Brooks is an interesting one because he started out making films about stuff that he was totally affectionate about, like musicals, westerns, horror films,
Don’t Look Now’ is a masterpiece. I think it’s the best-edited movie of all time. I adore it.
The making of documentaries for ‘Humanoids From The Deep,’ ‘Galaxy Of Terror’ and ‘Forbidden World’ are absolutely fascinating.
What ‘Shaun of the Dead’ and ‘Hot Fuzz’ and ‘World’s End’ do is smuggle a different movie under the guise of a zombie movie or
Growing up, there were TV shows that were very funny but very traditional. Classic things like ‘Fawlty Towers,’ obviously, and ‘Blackadder’ were pretty traditionally shot.
We got offers to make sequels to both ‘Shaun of the Dead’ and ‘Hot Fuzz,’ and they never really interested us because we like having
I guess a lot of comic-book adaptations strive for realism. Christopher Nolan is making Batman seem very real and very serious.
By the time I got to Bournemouth Art College, I’d been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that
I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but
I was never a DC kid – I went through a phase from, like, 11 to 17 where I would try to buy as many
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