Infernal Affairs’ uses a vibrating terseness usually found in the writer and director Michael Mann’s work. Thematically, this film deploys the techniques Mr. Mann brought
Before he became ‘a working actor,’ as he now proudly calls himself, Jamie Dornan initially caught the public’s attention as a model – you may
Though narrative cohesion isn’t the strength of ‘Mean Girls,’ which works better from scene to scene than as a whole, the intelligence shines in its
In ‘The Adjustment Bureau,’ Damon shows movie-star concentration as David Norris, a politician whose world ambitions hit a pothole when his angry streak becomes public.
When an actor commits himself to a role as fully as Russell Crowe does in the grandiose and silly ‘Gladiator,’ you may ask yourself why
What makes ‘Pootie Tang’ the motion picture enjoyable is its no-brow ambitions; it’s a joke action film. It slides through enough African-American pop culture signifiers
The stoic drama ‘A Somewhat Gentle Man’ is photographed in a palate of steel gray tones that match Stellan Skarsgard’s complexion. It’s a low-blood-pressure version
Muhammad Ali inside the ring and Muhammad Ali outside the ring were totally different men; his abrasive, magnetic daring and infectious self-love outside the ring
When Bruce Lee gets his cameo in ‘The Green Hornet’ – as one of the drawings in Kato’s notebook – it clarifies what the film
One of the funniest things about Mr. Kaufman is that all of his filmed scripts – ‘Being John Malkovich,’ ‘Human Nature,’ ‘Adaptation’ and now ‘Sunshine’
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