In the best farce today we start with some absurd …– George Pierce Baker
In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move
In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move
Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence
Acted drama requires surrender of one’s self, sympathetic absorption in the play as it develops.
The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate
We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby
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