I see a curator as a catalyst…– Hans-Ulrich Obrist
I see a curator as a catalyst, generator and motivator – a sparring partner, accompanying the artist while they build a show, and a bridge
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I see a curator as a catalyst, generator and motivator – a sparring partner, accompanying the artist while they build a show, and a bridge
At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It’s a different story each time;
Mr. Koons’s work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many
Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake’s original
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long,
I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand
There is nothing deeper than to work for a year with the same artist.
Many artists have not been able to realise their fondest projects. My role is to help them.
Alex Poots has always made a bridge between highly experimental and the mainstream.
Making art is not the matter of a moment, and nor is making an exhibition; curating follows art.
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