Fly-in, fly-out curating nearly always produces …– Hans-Ulrich Obrist
Fly-in, fly-out curating nearly always produces superficial results; it’s a practice that goes hand in hand with the fashion for applying the word ‘curating’ to
Fly-in, fly-out curating nearly always produces superficial results; it’s a practice that goes hand in hand with the fashion for applying the word ‘curating’ to
Exhibitions usually are not collected; they disperse after they take place.
I’m trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear
I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love.
One of my favourite exhibitions is called ‘Do It,’ which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago.
I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to
I founded a club, which is called the Brutally Early Club. It’s basically a breakfast salon for the 21st century where art meets science meets
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both
Our economy’s growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us
I went to the studio of Fischli Weiss, and it was magical. I thought: ‘This is what I want to do with my life; I
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