As a director, I’m not the one animating every …– Henry Selick
As a director, I’m not the one animating every frame, every shot. I’m moving around like a surgeon on rounds, or a farmer checking in
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As a director, I’m not the one animating every frame, every shot. I’m moving around like a surgeon on rounds, or a farmer checking in
I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very
I’m looking at some comedic horror films because I have often been accused of being too dark. I’m not dark, not compared with ‘Saw’ or
What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the
In all animation, if it’s done quickly, you’ll know it. And if you’re very slow and careful with it, it’s going to look a little
Coraline’ is Neil Gaiman’s book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I
I was at Disney for about four years, so I made good friends there. It was a time of not a lot of creativity. It
I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but
There’s always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It’s exciting to see.
Very few people have made the transition from animation to live-action; I’m certainly not one.
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