Suspense films are often based on communication …– Ira Sachs
Suspense films are often based on communication problems, and that affects all of the plot points. It almost gives it kind of a fable feeling.
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Suspense films are often based on communication problems, and that affects all of the plot points. It almost gives it kind of a fable feeling.
I always think of my films within the context of where aesthetics meet economics. That’s the nature of making art – not being naive about
New York grabbed me too hard, as did adulthood.
Being an artist is in part an act of rupture.
I grew up thinking there was something called ‘independent film,’ which I wouldn’t necessarily have had access to if there wasn’t Sundance.
I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I would become a filmmaker instead of
Without community events like NewFest, I don’t think we’d have a queer cinema in America.
My films might have been queer – because I was – but they were not gay.
As I’ve gotten less righteous, less pedagogic, I have become more loving of the artificiality, the art form, the imitation of life in film.
I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, ‘Vaudeville’ and
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