After its hothouse incubation in the seventies…– Jerry Saltz
After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades – even if it’s
After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades – even if it’s
It’s great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these
While a large segment of the art world has obsessed over a tiny number of stars and their prices, an aesthetic shift has been occurring.
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.
I love art dealers. In some ways, they’re my favorite people in the art world. Really. I love that they put their money where their
Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst synthesizes punk, Pop
When money and hype recede from the art world, one thing I won’t miss will be what curator Francesco Bonami calls the ‘Eventocracy.’ All this
Although I adore the Italian High Renaissance, I’d rather look at Mannerism. The former is ordered, integrated, otherworldly, and grandiose; it leaves you feeling hungry
Everyone goes to the same exhibitions and the same parties, stays in the same handful of hotels, eats at the same no-star restaurants, and has
Not to say people shouldn’t get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them
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