I know absolutely nothing about the 20th …– Ricky Jay
I know absolutely nothing about the 20th Century.
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I know absolutely nothing about the 20th Century.
To obfuscate the reconstruction of the effect – when a magician is fooled by another magician doing magic. In my career that’s not been the
I’m probably the only kid in history whose parents made him stop taking music lessons. They made me stop studying the accordion.
For the most part, magic secrets are available on a level that’s overwhelming and frightening, and they are very accessible if you do the tiniest
I love amazing people. I love dazzling them. That’s why I think performing magic is one of the greatest things a person can do.
Like every art form, there are jealousies and angers and competitiveness in magic. But there’s camaraderie among magicians, whether you perform it for a living
Sitting with a deck of cards in your hand all day is an obsession. Visiting print shops and bookstores and libraries is an obsession. And
I’m much more interested in lesser-known eccentrics and characters and performers. Like Matthew Buchinger, who was born in Germany in 1674, had no arms or
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence
Theft annoys me more than anything else. The purloining of effects from another magician. Some people think it’s massive to steal the secrets of nuclear
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