I don’t have a style…– Sydney Pollack
I don’t have a style. I’ve never thought of myself as a stylist like the visual stylists I admire enormously – Adrian Lyne, Ridley Scott,
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I don’t have a style. I’ve never thought of myself as a stylist like the visual stylists I admire enormously – Adrian Lyne, Ridley Scott,
When you’re shooting a feature that costs $200,000 a day with a crew of 250, you don’t want accidents; you want to know exactly what’s
With a movie you’re creating from the beginning this particular work, let’s not call it work of art, because very few movies are works of
Like a lot of New Yorkers, I assumed that I knew all about the U.N. I was shocked to find out it’s not like anything
I didn’t grow up thinking of movies as film, or art, but as movies, something to do on a Saturday afternoon.
Every single art form is involved in film, in a way.
What makes architecture extraordinary is that you’re looking at the building, but your peripheral vision is also seeing how it fits within a space. And
Each time I make a movie, it’s a little bit like taking another course in something because there’s an argument between these people that I
People ask me over and over how is it that I work with stars. How do you work with Barbra Streisand, with Paul Newman, with
It’s impossible for me to go into a room or look at a location without a part of my brain photographing it – picking the
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