Stop-motion is filmmaking at the pace of a …– Travis Knight
Stop-motion is filmmaking at the pace of a glacier. In live action, you’re moving so quickly.
Stop-motion is filmmaking at the pace of a glacier. In live action, you’re moving so quickly.
Just because somebody works in miniature does not diminish or invalidate their contributions to the art form compared to someone who works in live action.
Laika’s films aim to promote thought, feeling, and connectivity through art, inspired by our shared humanity. We’re deeply gratified that the spirit of our work
When we started on ‘Coraline,’ there was a whole host of things that we had no idea how we were going to do. Because we
Historically, stop-motion animation has had a jerky-jerky quality, which is a constant reminder to audiences that they’re looking at artificial objects. It creates a barrier
You see it in the stuff I’ve done at Laika: I’ve always tried to make movies that have an artful blend of darkness and light,
We’re not purists about stop-motion. If there’s a tool we can use that makes more sense to bring something to life in a better way,
All of the things we learned on ‘Coraline’ we applied to ‘ParaNorman,’ and all of the things we learned on ‘ParaNorman’ and ‘Coraline’ we applied
In some ways we describe ‘Boxtrolls’ as ‘Oliver Twist’ if Terry Gilliam had made it. I think he’s an extraordinary artist, and animator.
I think any artist wants their artist to be seen and appreciated and enjoyed by as many people as possible.
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