I met Jim Jarmusch when I started recording my …– Yasmine Hamdan
I met Jim Jarmusch when I started recording my album ‘Ya Nass.’ He was writing the script for ‘Only Lovers Left Alive.’ Jarmusch was always
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I met Jim Jarmusch when I started recording my album ‘Ya Nass.’ He was writing the script for ‘Only Lovers Left Alive.’ Jarmusch was always
All of the Arabic women I grew up listening to or watching had a very strong character.
Al Jamilat’ is not just feminist. It’s an album with songs that feature women: women who are in love, rebellious women, political activists, women who
The Arab world is mediatised in a way that gives too much space to these people – puritans, extremists, whatever you want to call them.
Egyptians are quite incredible people. They have everything: the culture, the music, the scenes. So much of Arab music and art started there.
I don’t think there is only one Arab culture or a pure Arabness. We are very multiple, especially our generation, which is very multilayered.
I don’t relate to what is seen as ‘Arab culture.’ I relate to what I explore myself, what is around me.
It’s normal; Arab women have always been very active at the forefront of culture – as film producers since the 1920s; as singers, dancers, choreographers,
The Arabic music I listen to is extremely edgy. Ironic, sarcastic, sensual, erotic.
I sing in Arabic as a statement. It’s art, and it’s a challenge.
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